Dracula Untold is
sold both as a re-telling of the Dracula story and the opening salvo to
Universal Studios’ Avengers style monsters
franchise. Luke Evans (The Hobbit)
stars as Vlad, a battle-hardened warrior prince known as ‘The Impaler’ who is
forced to make a terrible choice when Turkish Warlord Mehmed (Dominic Cooper)
demands a thousand young boys to be taken as soldiers in his army. Unwilling to
give up his own son and resigned to war with Mehmed, Vlad makes a pact with a
Vampire Master (Charles Dance) to take on the powers of the night in order to
defeat his enemies.
It is important to say that initially I had high hopes for Untold, as the primary trailer seemed to
relay a refreshing take on the story with interesting concepts that could be
examined and developed with the continent-spanning war as a dramatic backdrop.
Unfortunately, what we actually get is essentially Man-Bat Begins, though to make a comparison to a Nolan movie would
convey connotations to intelligence, which Untold
is severely lacking.
This is not to say that there are no pleasures to be had:
Luke Evans scrubs up well in his role, lending just the right level of physical
intimidation and emotional weight to the character (plus he looks pretty swish
in a dragon-emblazoned suit of armour) whilst Charles Dance picks the scenery
out from between razor sharp fangs. The supporting cast leave a lot to be
desired, but this may not be entirely their fault. The usually capable Dominic
Cooper is saddled with uninspiring dialogue whilst Sarah Gadon as Vlad’s wife does
her best but spends most of her screen time smothered in a facial expression
that is supposed to be fear but looks more like boredom.
The cinematography is uninvolving and at times all over the
place, the fairly interesting gothic production design not given enough room to
shine. Action sequences are reduced to disorientating shaky cam that spins all
over the place, cutting every two seconds, and at times I had a very hard time working
out who was who because it just looked like a pile of medieval props having a
fight with itself in a wind-tunnel. It also seems increasingly odd that in a
post Lord of the Rings world where
fantasy-era battles are grim and dirty that the lesson about hair was never
learned: everyone in the Tolkein trilogy looked like they’d been through hell;
the cast of Untold emerge from the
field of battle with their hair gel still firmly in place.
Developments in the plot are laughably predictable, unsubtly
foreshadowed or outright spelled out for the hard of thinking at the back. For
a film based around one of the original inspirations of the Dark Knight, there
are lines of dialogue directly stolen from Batman
Begins (‘Men fear most what they cannot see’ etc.) and the poster campaigns
also appear to be mimicking the 2005 blockbuster. But whilst Begins was an incredible setup for an
epic trilogy, Untold is strikingly
unremarkable as the beginning of a larger cinematic universe.
The overriding feeling upon emerging from Dracula Untold is disappointment. The
concepts that held such promise are barely paid lip service and all but Evans
and Dance feel wasted in a film that doesn’t have the willpower to deliver. I
want to believe that said concepts will have time to develop in future installments,
but I won’t hold my breath.
1.5 stars
