Thirteen years since the beginning of Peter Jackson’s
odyssey into Middle-Earth, we have reached the conclusion: The Hobbit: The Battle of the Five Armies. The company of dwarves,
accompanied by Bilbo Baggins, have reached the lonely mountain and unwittingly
released the dragon Smaug upon the nearby Laketown, whilst the forces of the
Elves, Orcs and Dwarves begin to converge upon the peak, determined to reclaim
the treasure within.
Despite the title and the gargantuan war between armies, the
film is centrally a three-hander split between the three actors that now own
their roles: Richard Armitage is given front-and-centre stage in this picture,
and all the better for it, one particular sequence in which Thorin is drawn
into dragon-sickness is extremely well done and brings to mind the ring trances
from the previous trilogy. Martin Freeman is
Bilbo Baggins, meshing just the right amount of Ian Holm’s performance with the
more subtle nuances of a more inquisitive and younger hobbit. Ian McKellen as
Gandalf is always fun to watch, and one can only hope that the inevitable
extended cut of the film gives us his scenes which we glimpsed in the trailer
but were nowhere to be found in the cinema.
The titular battle itself, which takes up the entire second
half of the film – with the exception of a lull in the middle where you’re not
entirely sure who’s winning – is everything a war sequence should be. Unlike
Michael Bay, Jackson understands that the crux of a conflict is both knowing and caring about who is involved, and
having a stake in their survival. Though the odd colour saturation that
pervaded the previous instalments is still clinging to the frame, there is
enough flair in the battle cinematography that it doesn’t distract too much. It
is also worth noting that the opening twenty minutes involving Smaug and the
razing of Laketown are near-perfect and the much tighter focus somewhat alleviates
the problems of the later battle where you find yourself having to count on
your fingers to remember who’s involved.
But as intense and enthralling as the battle is, it still
doesn’t quite match the awe of the Pelennor fields or even Helms Deep because the grit and grime and blood-stained aura of those battlefields are weirdly absent. There are also
several moments of CGI ridicule that threaten to throw you from the immersion,
and there are about three too many moments of someone looking on forlornly as
loved ones are cut down. Impressively, this smattering of flaws does very
little to ruin the experience and I can say with certainty that you won’t at
any moment be bored, which is much more than one can say for half the fare
currently filling the multiplex.
The Battle of the Five
Armies is not a disappointment: Jackson has gone for broke and the
spectacle, while flawed in places, is as enthralling as it ever was. Fans of
the previous Hobbit films – and those
of us who have grown to appreciate them more than the first time – have much to
enjoy, and the ending is as satisfying as anyone could ever hope for.
★★★½☆
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