As someone who really enjoyed the TV series and subsequent
film continuation, I had a lot of good feelings going into the latest
instalment, and to some extent they were warranted. The film is funny, and I
think you’d have to be quite stoically grumpy to not laugh at least twice,
because there are set-pieces that just work. Without wishing to spoil it but
whilst letting you know what you’re in for, the biggest laughs involve the
combination of Neil’s irritable bowel and a waterslide, plus a sequence
featuring Roberta Flack’s ‘The First Time I Saw Your Face’. There is also a
recurring gag about the pretentious attitudes of gap year travellers that
raised a lot of mirth from the rather small audience in the showing I attended.
What I also noticed in said showing is that there were
noticeable dry spells between comedic set-pieces in which there didn’t appear
to be much laughter from either myself or the rest of the audience, which in a
teen sex-comedy is a problem, considering the fits of laughter that my friends
and I emitted while watching the original series. There is also the issue that
the satirical sexism – used in the show to establish caricatures of male British
teenagers – is now wearing quite thin and doesn’t really stand up to scrutiny,
particularly considering the fact that there aren’t a great deal of female
roles in the film other than pre-established characters or ‘the girl Will wants
to get with’ or ‘the obsessed girlfriend’.
Due to the unforeseen success of the first movie, the sequel
has a far bigger budget (hence the move to Australia) which leads to a much
more extravagant sensibility, notably the opening titles and a hideously
over-long and gratuitous scene in which Jay describes the life he is supposedly
living on the Aussie coast. But once the budget is stripped back and we are
just left with the four leads alone in the outback, the film begins to really work;
the spirit of the series emerges and is retained until the very end. So while
the success of the first film has been a detriment to this one, it has also
taught the film-makers that a nippy, hour and-a-half running time prevents
stagnant gaps between laughter (although there is one or two).
As a swansong to the series and a farewell to the four
leads, The Inbetweeners 2 functions
perfectly well, and while somewhat lacklustre in the comedy department in
comparison to the much funnier first instalment, fans of the show should not be
disappointed. It may be messy, irritating at points and relentlessly
foul-mouthed, so as a cinematic version of the eponymous four it’s a resounding
success.
3 stars
yay
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